Graduate Students

Current Students

Please note that many of the dissertation titles listed here are tentative.

Yin Cai

Area of Study: Early Modern China
BA: Kalamazoo College, 2012
MA: University of Chicago, 2014

 

History of Chinese handicrafts, especially the textile production; Early Modern Craftsmanship, Technology and Visual Culture.  I am interested in the creation and transmission of knowledge, craftsmanship, and political ideals through the social network of production, consumption and circulation. Particularly I am also interested in the visual and textual representation of technology/craftsmanship in the Chinese tradition.

Ling Chan

Area of Study: Medieval China
BA: Peking University, 2011

 

I am interested in Medieval Chinese religion, particularly how and what manuscripts (from Dunhuang, excavations in Turfan, Japanese temple archives etc) and other material sources can tell us about the religious beliefs and practices of the time, and what significance these beliefs and practices had in a wider social context. I also hope to study how these may present a different picture than canonical sources, and if so how these differences could reflect upon issues such as the nature of the source material or distinct regional traditions. I am currently working on a collection of Buddhist gatha, spells, and ritual manuals on a late 10th-century manuscript, hoping to build towards a project on similar miscellanies.

Jiayi Chen

Area of Study: Early Modern China
BA: Fudan University, 2014
MA: The University of Chicago, 2015

 

My research interests center on the multiple relationships between literature and material objects during the Ming and Qing dynasties. Not limited to text-bearing objects and their materiality, I am specifically interested in the literary representation and imagination of material objects, as well as texts concerning collecting and displaying various objects. By means of theoretical tools in literature, anthropology, and art history, my research aims to enrich our understanding of not only the various roles played by material objects in people’s everyday life, but also the influence of material culture in shaping textual production and reception in Ming and Qing China.

Dominic DiTaranto

Area of Study: China
I received my BA from Rutgers University with a major in East Asian Languages and Cultures and a minor in Comparative Literature. I also completed my MA at Rutgers University in the East Asian Languages and Cultures Department. My interest in the intersectionality of religions developed at a young age while searching for a faith system that I could insert myself into. I eventually realized that I found useful tools in all the religions that I eagerly tried to practice as a teenager. I became increasingly interested in East Asian religious culture throughout my time abroad in Japan due to the realization that, despite seemingly contradictory doctrines, it was common to practice multiple religions simultaneously in Japan. While my focus on Japan eventually shifted to the Manchus in the Qing, then to Tibet, and finally to Medieval China, the concept of holding beliefs from multiple religions has been the driving force behind all of my research.
My research focuses on the practices of Buddhism, Daoism, and Confucianism in Medieval China. I am particularly interested in how religious beliefs and ideas change throughout temporal and spatial dimensions and how these changes shift the permeable boundaries of what is considered orthodox at both institutionalized and diffused levels. For example, my current project explores how those practicing Buddhism in Medieval Dunhuang 敦煌 re-appropriated the Confucian concept of the veneration of one’s deceased parents through “lavish” funerary rituals and extended it to include the veneration of all family members as well as the members in one’s community association (sheyi 社邑).
While I tend to focus on textual evidence, the implementation of ritual and material evidence has been a great benefit to my understanding of how text—and oral tradition—may have been interpreted at the popular level. I hope this trajectory of inquiry will lead to theoretical advancements regarding the nature of belief and how it evolves. Specifically, through the analysis of the negotiations that took place at the permeable boundaries of belief and through what dialectic and for what means were these negotiations performed. Utilizing thick descriptions of various collective memories, I endeavor to delineate these constantly shifting boundaries as well as uncover how and under what circumstances similarities and disparities of religious beliefs were catalyzed into production.

Naixi Feng

Area of Study: China
BA: Peking University (Archaeology and Museology), 2012

 

My dissertation, with the tentative title “City on Edge: Inhabiting Literary Beijing on the Eve of the Manchu Conquest,” studies miscellaneous literature in the textual tradition of “city monograph”. I pay particular attention to the role of Beijing on the cultural map of the Ming Empire and parse how literary representations of the northern capital are connected to and different from the prosperous and sophisticated portraits of contemporaneous cities in Jiangnan. I also explore the permutations that the literary and cultural images of Beijing underwent in the Ming-Qing transitional period, and examine the “afterlife” of such images in the republican era, when nationalist intellectuals employed the idea of a “Ming-Chinese era” to fight against the recent Qing-Manchu past.

 

I have wider interests in Chinese literature, intellectual history and material culture. My research addresses the following issues: the early modern conceptualization of time and space, historiographical theory and intellectual movements from the sixteenth century onward, and the historical ideas of frontier, centrality, and legitimacy.

 

Helen Findley

Area of Study: Japan
BA: Wesleyan University (East Asian Studies), 2003
MA: Columbia University (East Asian Languages and Civilizations), 2005

 

Interests: Meiji Buddhist preaching practices, print media, and the advent of Western rhetorical studies in relation to public speech-making; religion and education in modern Japan
Dissertation Title: Moveable Feast: The Place of Sekkyo in Meiji Buddhist Discourse
Awards: 2005-present (currently pro forma status), Neuabuer Presidential Fellowship; 2008-09, Fulbright-Hays DDRA Fellowship

David Hogue

Area of Study: Early China

BA: Princeton University, 2007 (English Literature)

MA: Nanjing University, 2013 (Classic Chinese Literature)

Interests: I am interested in early Chinese historiography, particularly in claims made about the supernatural world and ancestral sacrifice in Warring States period historiographical texts. My MA thesis, A Fresh Look at the Ghosts and Spirits of the Zuo Commentary, is about how the Zuo Commentary, in dialogues about ancestral worship rituals and narratives in which animistic gods and the spirits of the dead appear, articulates a theory of statecraft and makes evaluations about the personalities and moral qualities of historical personages. More broadly, I am interested in narrative storytelling (in text, image, or other mediums) and its ability to express worldviews, attitudes, emotional experience, and states of being.

Aliz Horvath

Area of Study: Japan, China and Korea
BA-MA (combined): Eotvos Lorand University (Japanese-Chinese), 2012
BA: Eotvos Lorand University (Korean), 2013
Non-degree: Osaka University (Japanese language and history), 2010-2011
Non-degree: Shandong Normal University (Chinese language), 2007-2008

I am an advanced PhD candidate specializing in early modern and modern transnational East Asian studies with an additional background in ancient history. I hold a dual MA degree in Japanese and Chinese and an additional BA in Korean and Finnish, and have spent multiple years in all of these four areas as a scholarship holder. I am interested in the mechanisms of transnational flows in Japan, China, and Korea, as well as the dynamics of intellectual history, cultural history, history writing, international relations, and network analysis. I enjoy experimenting with interdisciplinary solutions and novel methods, such as digital tools, to explore innovative approaches to the study of East Asia.
The online version of my most recent book review can be found here: https://newbooks.asia/review/faces-unknown

Yueling Ji

Area of Study: Contemporary China
BA: Renmin University of China, 2013
MA: University of Illinois at Urbana-Champaign, 2015

I am interested in contemporary Chinese literature and popular culture, especially problems of gender, sexuality, and labor. Currently I have two areas of interest: The first is the comparative study of Cold War public cultures in East Asia and the Soviet Union. The second is about the neoliberal turn in East Asia, with attention to the rise of new affective and technological systems that shape and manage laboring bodies.

Siting Jiang

Area of Study: Modern Chinese Literature
BA Peking University, Chinese Literature (2013)
MA Peking University, Comparative Literature (2016)
MA Penn State University, Comparative Literature and Asian Studies (2019)

I am interested in modern Chinese literature, sound studies, and media studies. East Asian studies provides a highly interdisciplinary and intellectually diverse platform for me to fully develop my interests. For my dissertation, I wish to explore the question of listening in twentieth century China, focusing on how ideas, technologies, and practices of listening change within different media, and how listening works as a way of subjectivity formation in socialist and postsocialist China.

So Hye Kim

Area of Study: Korean Cinema
BA: Korea University (Education), 2003
MA: Korea National University of Arts (Cinema Studies), 2010

 

Interests: Korean independent films and Korean diaspora films

David Lebovitz

Area of Study: Early China
BA: University of California, Berkeley (Molecular and Cell Biology), 1998
MA: National Taiwan University (Chinese Literature)

My research interests encompass poetics, literature and thought, particularly in pre-imperial and early imperial China. One particular interest is in commentarial traditions—I am interested both in the roots of commentary during a formative period in early China, and the extension and elaboration of commentary throughout later periods of Chinese history. Another focus of research concerns the material loci at which texts formed and came to be organized, especially in manuscript culture. I employ diverse methods, ranging from paleography and codicology to prosodic analysis. Close reading and philological translation are also at the heart of my method. I am interested as well in China’s historic and modern engagement with its past, be it by later reflections on the formative texts of Chinese civilization via commentary, emulation of forms past, or forgery of texts and objects.

 

My dissertation project, “Historical Poetry, Poetical History, and Authorial Prophesy: Early Chinese verse and the critical voice of Rui Liangfu,” proceeds from a study of several verse texts attributed to a late Western Zhou (~9th c. BCE) figure named Rui Liangfu (The Good

Man of Rui), who is legendary for speaking out against the bad government of his time. The project examines several groups of texts: a corpus of recently unearthed bamboo manuscript texts from the 4th -1st centuries BCE; a group of admonitory odes from the Shijing, the canonical Book of Odes allegedly compiled by Confucius; and peri-canonical Shu (historical) documents. All these texts include rhyming speeches attributed to Rui Liangfu. The project forms a case study of an early author as constructed by legend; I examine the topics of authorship, historicizing interpretations of the Shijing, and the authoritative and prophetic powers of verse. I plan to expand the project into a broader media history of verse in early China, addressing the questions of how canons, anthologies, genres, theories of poetry, and critical practices coalesced or vanished in early China. Material sources, their particular affordances as media objects, and the consequences of their use, are important concerns of this broader study.

 

Other active research interests include studies of the Laozi (Daodejing; Classic of the Way and Virtue) in manuscript culture, Daoist commentarial traditions preserved in the Dunhuang manuscripts, medieval verse and poetry, and forged texts.

 

In recent years my research has been supported by the Center for East Asian Studies at the University of Chicago, the Fulbright U.S. Student Program, and the Fulbright-Hays Doctoral Dissertation Abroad program.

Li Qi

Area of Study: Early China
BA: Wuhan University of Science & Technology, 2013
MA: Wuhan University, 2016

 

Currently my interests focus on agricultural appearance of Erligang period, furthermore making a comparison between the discoveries of Central Plain Region, like Zhengzhou Shang City, and Panlongcheng and its surroundings, focusing on the similarities and differences of their characteristic of subsistence economy, analyzing whether the characteristics are identical or not between different regions, besides the fact that these regions shares the highly unanimous archaeological appearances.

Philomena Mazza-Hilway

Area of Study: Japan
BA: Bard College (Psychology, Literature), 2009
MA: Bard College (Teaching English), 2010
MA: University of Michigan (Japanese Studies), 2013

 

My primary research involves literary depictions of femininity in Taishō (1912-26) era literature, with specific focus on the construction and development of the feminine grotesque - both physical and psychological - in works authored by women. Some of my broader research interests include psychoanalytic theory, genre fiction, canon formation, women's literature, translation theory, and Japanese literary studies as discipline, practice, and field.

Alex Murphy

Area of Study: Japan
BA: Kenyon College, 2010
MA: Columbia University, 2014

My research interests center on transnational literature, performance, and media in twentieth-century Japan. My dissertation explores the performing arts and media culture of Japan's interwar period with a focus on modes of vocal performance across poetry, popular music, and theater. In particular, I am interested in examining how these embodied practices of voicing intersected with the figure of 'voice' as a figurative heading for aesthetic and political expression via emergent technologies of amplification, broadcast, and sound recording. In so doing, I turn an ear to the overlapping imperial soundscapes of the interwar Asia-Pacific and the transnational network of performers and social actors who generated and traversed them. By tracing these sonic pathways, I hope to arrive at new ways of understanding the cultural politics of race, gender, and mobility across this period.

Nick Ogonek

Area of Study: Japan
BA: Bard College, 2007

I study and write about queer authors working in Japan today. More broadly, I am also interested in genre fiction, translation studies, media theory, cultural analytics, and the processes and structures of community and social movement formation.

Yiying Pan

Area of Study: Early Modern China
BA: Tsinghua University (History), 2013

I am a Ph.D. candidate specializing in late imperial Chinese history. I received my BA in history from Tsinghua University (Beijing, China) in 2013.

My dissertation, “Symphonic Spaces, Synthesized Knowledge: Environment, Society, and Governance of Eastern Sichuan Highlands, 1723-1864,” examines the interaction between the Qing statecraft knowledge on environment and local geopolitical strategies in eastern Sichuan highlands from the eighteenth to the nineteenth century. In the eighteenth century, the eastern Sichuan highlands in central China had functioned as a transitional zone for the Qing state, which backed up both the Qing state’s military occupation of the northwestern frontiers and its economic developments of the southwestern frontiers. Such central-level geopolitical policies were both counting on and shaping a dynamic socio-economic network in eastern Sichuan, which paved way for the decade-long “White Lotus” rebellions in this area at the turn of the nineteenth century. My research not only aims to offer an explanation for the outbreak of this crisis, but more importantly, to trace how local reconstruction experiences accumulated through this crisis reshaped central-level statecraft thinking on the intersections of environment, political economy, and community making throughout the nineteenth century and beyond.

Aside from this specific dissertation project, I have developed broader interests in knowledge making, long-distance migration, and the mechanisms of social crisis. My research experiences with archival and fieldwork materials have also inspired me to reflect on issues like the pedagogical usage of local materials and the spatial unfolding of historical dynamics.

Kyle Peters

Area of Study: Japan
BA: Colorado State University (Philosophy, Anthropology), 2009
MA: University of Hawaii at Manoa (Comparative Philosophy), 2013

 

My research focuses on the discursive space of the aesthetic in interwar Japan, in particular the conceptual convergence of seemingly disparate discourses in calligraphy, literature, dance, and the philosophy of art. On one side, I approach this aesthetic space according to its historical development out of endemic and introduced artistic trends, practices and theories, working to discursively locate important moments in its emergence and to trace its movements in and across national and transnational frameworks. It is my contention that this space was fundamentally political, and I work to make clear the ambivalent way in which the modern Japanese aesthetic was enmeshed in and alongside the sensible, those networks of perception, action and intelligibility embodied in everyday practices and politico-economic institutions. 

My historical research into the aesthetic is structured by my active interest in philosophy, in particular genealogy, ontology and the philosophy of art. Across these fields I am interested in the production of subjectivity, and Kyoto School philosophers like Nishida Kitarō, Miki Kiyoshi and Tosaka Jun are integral to my thinking on these matters. My historical and philosophical work is also influenced by theorists in late-18th and early-19th century German Idealism,  contemporary Continental philosophy and modern Chinese philosophy. Most recently, I have been awarded the  FLAS for the 2016–2017 academic-year, and I am using it in an effort to further explore historical and philosophical trends within the latter.

Sabine Schulz

Area of Study: Japan, Korea
BA: Columbia University, 2012

 

My research concerns the transnational cultural phenomena termed “Cool Japan” (クールジャパン) and the “Korean Wave” (한류), in particular Japanese and Korean idol singers, the local music and film talent who have become both de facto and official representatives of government-sponsored soft power policies. I examine the circulation, mediation, manipulation, and discourse surrounding media commodifying Japanese and Korean idols in the original and nonnative loci of reception via the Internet and I hope to elucidate the logic, significance, and implications for the individual, nation, and paradigm of a cultural world order in the export of cultural symbols across borders in an evolving, multifaceted media landscape. 

To that end, my research encompasses the Japanese and Korean idol production systems, male and female idols, and the anthropological, economic, musicological, political, sociological, and technological factors involved in the international popularization of Japanese and Korean media. I am particularly interested in the collaboration of the Japanese and Korean governments in promoting popular culture abroad, the transnational adoption of tropes and other genre markers, and the reflexive circulation of cultural products.

I focus on the role of technology in these transnational interactions, particularly as it relates to translation and communication, and I afford specific attention to quantitative and qualitative data analysis and digital humanities in my work.

Yuanxie Shi 史原榭

Area of Study: Modern China
BA: Beijing Foreign Studies University
MA: Columbia University

 

I am interested in crafts, craftsmen and craftsmanship. For my doctoral research, I plan to examine how artisanal work has engaged in the production of cultural representations of China in a global context; how changes in economic and political systems, alongside the effects of imperialism and colonialism, has impacted local craftsmen; and how local encounters with globalization and industrialization influences such basic craft processes as wood carving, pot throwing, textile dying and weaving.

Susan Dan Su

Area of Study: China, Tibet
BA: Lewis and Clark College (International Affairs), 2011
MA: UC Berkeley (Asian Studies), 2014

 

My dissertation studies the use of language in the cultural production of Amdo Tibet in the 2000s. I pay particular attention to the diverse ways in which language, ethnicity, and politics intersect and are in conversation with cultural production during this period. I am also attentive to the individuals and organizations involved in the creation of said products and the roles that they play with regard to linguistic regulation and standardization.

More broadly, I am interested in translation studies, multilingualism, critical race theory, and media studies.

 

H.S. Sum Cheuk Shing

Area of Study: Medieval China
BA: LIU Global, 2010 (Global Studies)
MA: University of Toronto, 2015 (Religion)

 

My research focuses on medieval Chinese religions, specifically the practices of Buddhism and Daoism. I am particularly interested in the parallels and intersections between these two traditions, especially the visual and material culture of ritual materials. My work also seeks to engage with broader methodological and theoretical concerns in ritual studies, visual culture and religious history.

Jiarui Sun

Area of Study: Contemporary China
BA: Zhejiang University (Chinese Language and Literature) 2016
MA: Dartmouth College (General Liberal Studies) 2019

My main research interest lies in the intersection of cultural studies, film and media studies, and critical theories. I am particularly interested in issues of nationalism, misogyny, technology, and emotions represented and contested in contemporary Chinese popular culture. Because I take a trans-cultural/trans-media perspective on the production and consumption of popular cultural products in today’s China, the subjects of my research include animation, television, and social media across and beyond East Asia. Apart from what is revealed within the text of cultural products, I am also interested in how different cultures and media forms negotiate with (and inform) one another in the process of production.

Pao-Chen Tang

Area of Study: Modern China
BA: National Taiwan University, 2012
MA: University of Chicago, 2013
Joint PhD with Cinema and Media Studies

Pao-chen Tang studies in the joint-degree program in the Departments of Cinema and Media Studies and East Asian Languages and Civilizations. He’s currently working on a dissertation that explores how contemporary East Asian cinemas have mobilized the worldview of animism as a cinematic technique to reflect on the concept of personhood against the present-day ecological condition. He has published on Xu Bing’s afforestation, dogs and hot dogs in early cinema (winner of the 2015 Domitor Student Essay Award), the disciplinary dialogue between animal studies and cinema studies, and the digital snow in Wong Kar-wai’s The Grandmasterin, respectively, Yishu: Journal of Contemporary Chinese ArtEarly Popular Visual CultureReflexion(Taiwan), and Journal of Chinese Cinemas.

With Katerina Korola and Zain Jamshaid, he co-organized the 2016 CMS graduate conference, devoted to slow aesthetics and the moving image. He has also curated several screenings on campus, including Wang Bing’s 14-hour documentary Crude Oil; the rarely seen Taiwanese omnibus film The Wheel of Life (1983, dir. King Hu, Li Hsing, and Pai Ching-Jui); the first public screening in the US, since 1919, of Benjamin Brodsky’s A Trip Through China.

Ethan Waddell

Area of Study: Korea
BA: State University of New York at Geneseo, (Creative Writing), 2009
MA: Yonsei University, (English Language and Literature), 2016

 

I am interested in Korean literature, both contemporary as well as from the colonial era. After studying in South Korea for five years, I became fascinated by the prospect of using theories on literature, nationhood, and ethnicity produced by Korean authors during the colonial era to interpret contemporary Korean transnational and diaspora literature. For my doctorate research, I would like to expand upon this interest, with a broad emphasis on representations of nationhood and ethnicity in Korean literature.

Sophia Walker

Area of Study: Japan
BA: Bowdoin College (Asian Studies, Cinema Studies), 2017
I am interested in Japanese cinema and popular media, specifically in how cinema and other popular medias act as both reflection and product of specific moments in the collective consciousness.
 
To that end, I am particularly interested in how older images and motifs are repurposed in modern media, and how the impact of those motifs change with time and audience. While many aspects of Japanese film and other medias have changed with time, there still remain recurring motifs, such as the ghost women of Ringufame, that have remained remarkably present throughout. However, the presentation of these images continually adapt to meet contemporary needs, and it is the presentation of those images - and why a certain presentation might serve a specific audience at a given time - that draws me in. I am specifically interested in how the combination of contemporary cultural context with mechanical devices, including mise en scene, camerawork, editing, and so on, affect the reading of a film. In addition, I am also interested in the global reach of many forms of Japanese contemporary media, as well as the rapidly evolving nature of global media consumption.
 
I became interested in this subject through a combination of my own consumption of Japanese popular media, both film and television, my studies in Japanese literature and folklore, and film and media studies. While I revel in pure scene analysis, scene analysis in combination with an in-depth understanding of time and place lies at the heart of my research interests.

 

Brian White

Area of Study: Japan
BA: University of Pennsylvania, 2011

 

In general terms, I am interested in the ways in which technology has been imagined to intersect with notions of selfhood in late-capitalist Japanese society.  My research concerns technology in its role as an affective and bodily force, intimately interwoven with human subjectivity in ways that fundamentally shape our notions of being in the world.  I plan to pursue these issues through a study of 20th and 21st century Japanese SF (science- or speculative-fiction) literature and film.  This includes texts that can be recognizably placed within the genre of science-fiction as well as texts belonging to SF’s predecessor genres, such as the Gothic horror and mystery stories popular since the Taishō and Shōwa periods.  Having built its bubble-era economy on cutting-edge consumer technologies, Japan is often viewed as a “techno-topia,” and I expect this perception to make itself felt in popular media.  If we further consider technology to be one of the foundational concerns of SF, then Japanese SF media provide a uniquely apt lens through which to examine the present and future of technological society and our place within it.  This in turn will help us re-calibrate our understandings of (post-)modernity, which often takes technology, the network, and so on as self-evident and monolithic analytical entities.

Panpan Yang

Area of Study: China
BA: Peking University (double major in Film Production and Philosophy), 2012
MA: New York University (Cinema Studies), 2014

 

Joint Program with Cinema and Media Studies

I’m particularly interested in how cinema makes possible mutually illuminating dialogues between Western and Chinese aesthetics. Along this line, I have been writing on some unique genres in Chinese-language cinemas, such as ink-and-wash animation, Teochew opera film, and the Wenyi genre. Three concepts are central to my theoretical investigation: time, space, and rhythm. Beyond cinema studies, I maintain a lifelong interest in Dream of the Red Chamber.

Emily Yoon

Area of Study: Korea

BA: University of Pennsylvania (English and Communication), 2013
MFA: New York University (Creative Writing - Poetry), 2015

I am working on a dissertation on collective consciousness in feminist Korean and Korean American poetry.

Danlin Zhang

Area of Study: Modern Japanese Literature
BA: UC Berkeley, 2018 (Japanese Language and Literature & Cognitive Science)

I am interested in early modern Japanese prose and novels, especially those produced on both the geographical and political frontiers of imperial expansion. I want to investigate the possibility of engaging the reading of early modern Japanese literature with the larger context of the modernization of East Asia and the influence of Japanese and Western imperialism by bringing in material from areas outside of mainland Japan, especially the colonies and Republican China.

I am an enthusiastic reader of both classical and modern Japanese poetry, and one of my objectives is to seek a way to understand early modern Japanese poetry in relation to traditional poetic forms, western influences and modernization.

I am also very interested in literary, social and culture theory. Thanks to my undergraduate experience as a Cognitive Science major, I am also interested in investigating the possibility of incorporating newly developed theories in modern Cognitive Science into literary theory and criticism.

Danlin Zhang

Area of Study: Modern Japanese Literature
BA: UC Berkeley, 2018 (Japanese Language and Literature & Cognitive Science)

I am interested in early modern Japanese prose and novels, especially those produced on both the geographical and political frontiers of imperial expansion. I want to investigate the possibility of engaging the reading of early modern Japanese literature with the larger context of the modernization of East Asia and the influence of Japanese and Western imperialism by bringing in material from areas outside of mainland Japan, especially the colonies and Republican China.

I am an enthusiastic reader of both classical and modern Japanese poetry, and one of my objectives is to seek a way to understand early modern Japanese poetry in relation to traditional poetic forms, western influences and modernization.

I am also very interested in literary, social and culture theory. Thanks to my undergraduate experience as a Cognitive Science major, I am also interested in investigating the possibility of incorporating newly developed theories in modern Cognitive Science into literary theory and criticism.

Han Zhang

Area of Study: China
BA: Shanghai University (Chinese Language and Literature)
MA: Shanghai University (Chinese Language and Literature), 2003
MA: University of Colorado, Boulder (East Asian Languages and Civilizations), 2009

 

Research Interests: late imperial literature and performance. I am particularly interested in the issue of language in understanding and reconstructing the relationship between text and performance. My dissertation works on the literature and performance conducted in Wu dialect in the lower Yangtze river delta (Jiangnan) from the seventeenth century to nineteenth century. I am also interested in media studies, problems of translation, social and historical linguistics, as well as bilingualism.

Yiren Zheng

Area of Study: Chinese Literature
BA: Sun Yat-Sen University (Chinese Language and Literature), 2012
MA: Columbia University (East Asian Languages and Cultures), 2014

My dissertation examines how several idiosyncratic 17th-century Chinese authors endeavored to explore the extralinguistic aspects of the voice through the portrayals of ventriloquism, whistling, bird speech, and laughter—sounds that escape, resist, or distort speech and language. In so doing, I probe an implicit discursive network centered on the problem of speech during the late Ming and early Qing. Working in the intersections of literary studies, sound/voice studies, and media studies, I persistently reflect on issues including: How do extralinguistic and nonlinguistic forms of expression and communication modify our conceptions of speech and language? How do sounds in literature enrich our acoustic experience? What makes language human? A comparatist in spirit, I also work on early medieval and medieval Chinese literature.

Yunjun Zhou

Area of Study: Early Modern China
BA: Sun Yat-Sen University, 2011
MS: University of Pennsylvania, 2013
MA: University of Chicago, 2017 
 
My research interests center around the dynamic relationships between texts and images. Specifically, I am interested in how human as a visual object of appraisal were perceived, viewed, defined, termed, ranked and valued in late imperial China; how these textual descriptions are selected, internalized, and transformed into pictorial devices, including but not limited to portraits, illustrations, game-cards, and other images derived from texts; and how these images, in return, reconstructed and redefined their originary texts, and influenced the popularization, circulation, commercialization, and (re)interpretation of the texts. I am also interested in how technological, economic, social and epistemological changes interact with literary and pictorial portraits. 
Prior to joining the University of Chicago, I worked as a lecturer in East Asian Studies at Princeton University for three years. I also taught as a head instructor at the Princeton in Beijing (PiB) program in the summer of 2013.
Publication:
China’s Development and Dilemmas: Authentic Readings for Advanced Learners 中国的发展与困境现代汉语高级读本 (1st Edition). by Chih-p’ing Chou, Yongtao Zhang, Yunjun Zhou. Boston: Cheng & Tsui, 2018.

Jiayi Zhu

Area of Study: Medieval China, Japan and Korea
BA: Middlebury College (Anthropology and Environmental Studies), 2014
MA: Columbia University (East Asian Buddhism), 2017

 

My research focuses on Esoteric Buddhism and Buddhist art in East Asia from 7th to 10th century.