Graduate

This course will provide an overview of Chinese unearthed documents of the Eastern Zhou dynasty, including both bronze and stone inscriptions and also bamboo and silk manuscripts. By reading selections from these materials, we will seek to gain a general sense of both how they were produced and used at the time and also how their modern study has evolved.

This seminar probes the interplay of history, politics, and theatricality in Kong Shangren's Peach Blossom Fan, his dramatic masterpiece of 1699, which brilliantly depicts the fall of the Ming dynasty in 1644-1645 on multiple social, cultural, and ritual fronts, from the pleasure quarters and the imperial court to the Confucian Temple and the battlefield.  Issues to be addressed include: the representation and reassessment of late Ming entertainment culture--courtesans, actors, storytellers, musicians, booksellers, painters; metatheatricality; memory and commemoration; props and material culture; the dissemination of news and (mis)information; the reenactment of the past on the stage, as we contextualize Peach Blossom Fan within the early Qing literary and theatrical world in which it was created and performed. We'll also examine the interplay of history, politics, and theatricality in the modern reception of the play by analyzing its modern and contemporary incarnations in spoken drama, feature film, and different operatic genres.

The seminar topic is the formation of Warring States correlative thought as evidenced by excavated manuscripts, with focus on the Tsinghua University looted Warring States bamboo-slip manuscript "Wuji" 五紀 (Five structural strands)

In this in-depth introduction to modern Chinese literature we will combine close readings of texts with a survey of the ideas, media, and institutions that shaped literary practices from the 1900s to the early 1940s. We will discuss authors, literary circles and associations, journals and publishers, as well as notions of self, language, and community. In doing so, we will pursue the following questions: What is a “modern Chinese literary text,” and what are its relevant “contexts”? How to connect literary writing—per se a highly individualized and largely solitary activity—with the forms of sociality and the collaborative practices in which it is embedded? How did various communities and institutions affect, and how were they affected by, the writing and reading of literature? Our focus will be on the ways in which authors and groups redefined the functions of literature in times of upheaval, the transformations in language and media that shaped their efforts, and the ways in which they conceived of and sought to reach out to readers. Our explorations will be both historical and historiographical, and will touch on the main debates in modern Chinese literary studies today. All assigned readings are in English translation, but students who read Chinese are encouraged to read the original texts.

The course examines the multiple religious traditions spread across the Japanese archipelago, their tenets, rituals, values, and their intimate ties to literature, politics, social structures and economy. The goal will be to arrive at a substantive understanding of Japanese religions and the state of the field of religious studies, and explore potential directions for future research. We will consider both the openness of Japanese religion to incorporate new ideas and its proclivity for relational and amalgamative theories and practices, and also cases of outright rejection of certain Sinitic and pan-Asian ideas. Accordingly, this course will focus not only on the religions of Buddhism, Shinto, and Confucianism, but also their interactions with other traditions such as Onmyōdō, Shugendō, and popular religion (minkan shūkyō).

Each week we will read a recent monograph and analyze the main arguments and its methodological contribution to the field of religious studies and Japanese religion. Students will be asked to reflect critically on the central arguments of the books, as well as their discussion of doctrine, practice and cultural trends examined in the readings. The topics that we will discuss each week are diverse and include: Esoteric Buddhism (mikkyō), original enlightenment thought (hongaku), religious readings of literature (narrative and poetry), visual culture in Pure Land Buddhism, Kuroda Toshio’s Marxist and political theory, State Shinto and nationalism, cross-cultural transmissions between Chinese Chan and Japanese Zen, mountain worship and maritime religiosity, and Japan’s imagination of South Asia. We will pay close attention to how scholars use various methodologies and theories in their examinations of religious phenomena, such as ritual theory, literary and critical theory, feminist and queer theory, among others. Over the course of the quarter, students will build their own methodological and theoretical toolkits and put them into practice by writing a research paper.

Introductory studies of Chinese history and culture often ignore religion, treating Confucius’s alleged agnosticism as representative of mainstream culture. But ideas about supernatural entities—souls separated from bodies, ancestral spirits, demons, immortals, the vital energies of mountains and rivers, and many more—and practices aimed at managing those spirits were important elements in  pre-1949 life. Spirits testified in court cases, cured or caused illnesses, mediated disputes, changed the weather, and made the realm governable or ungovernable. After declining in the 1950s–1970s, various kinds of worship are immensely popular again today, though usually in altered forms. This course traces changes in the intersection of ideas about spirits and daily social practices from late imperial times forward, focusing on attempts to “standardize the gods,” resistance to such efforts, and the consequences for cohesion, or lack of cohesion, across classes, territory, ethnicity, and other differences.

This course is an experiment in rethinking what has conventionally been studied and taught as "postwar Japanese culture" as instances of global Cold War culture. We will look at celebrated works of Japanese fiction, film and popular music from 1945 through 1990, but instead of considering them primarily in relation to the past events of World War Two, we will try to understand them in relation to the unfolding contemporary global situation of the Cold War. We will also look at English-language writing on Japan from during and after the Cold War period. Previous coursework on modern Japanese history or culture is helpful, but not required. All course readings will be in English.

For course description contact East Asian Languages.

Studies of media in recent years have increasingly turned toward questions about ecologies and environments, energy and elemental forces, relational theories and non-discrete objects.  The first aim of this seminar is to introduce some of the key problematics associated with this ‘turn’ in media studies. At the same time, due to the proliferation of turns (elemental, environmental, ecological, energetic), objects (media forms, devices, platforms, networks, infrastructures) and concerns (more-than-human life, settler colonialism, indigenous struggles, migration), this seminar aims to provide a practical focus for doing media ecology or thinking media ecologically. The problematic for fall 2022 is Plant Media or “thinking with plants through media.” Topics includes contemporary research on plant intelligence, which raises questions about intelligence without physical correlates, forcing us to deal with intelligence in terms of the whole plant as an ecology.  We will also consider the mediating role of media, from self-writing plants to time-lapse audio and video to parse movement as intelligence. Finally, this ecological approach encourages a reconsideration of eco-agriculture and alternative paths of cultivation.

Fulfills translation requirement for EALC graduate students. Must be arranged with individual faculty member. Register by section with EALC faculty.