Undergraduate

This non-core beginner’s course is specially tailored for students who want to learn a new language in a fun and stress-free way. Compared to core courses, this course is more focused on communication activities with hands-on exercises to automatize and internalize simple basic expressions related to their daily lives. This course will provide students with a strong foundation to start learning the language with confidence and comfort.

Designed for non-heritage advanced learners of Korean with fourth-year proficiency or equivalent (as approved by the instructors), this course uses Korean songs as a focal point to enhance language skills while engaging with relevant cultural and historical knowledge of modern and contemporary Korea. By implication, we closely read and listen to selected songs so that we probe to reach a better and deeper understanding of the Korean language as played out in a verse and musical form, on the one hand, and we study the contexts in which the lyric and music are produced, performed, and distributed.

Designed for non-heritage advanced learners of Korean with fourth-year proficiency or equivalent (as approved by the instructors), this course uses Korean songs as a focal point to enhance language skills while engaging with relevant cultural and historical knowledge of modern and contemporary Korea. By implication, we closely read and listen to selected songs so that we probe to reach a better and deeper understanding of the Korean language as played out in a verse and musical form, on the one hand, and we study the contexts in which the lyric and music are produced, performed, and distributed. Consent only.

This course introduces big problems created by the movement, relocation or displacement of objects that are assigned special cultural, artistic, and historical values in new contexts. Such objects are often used as historical sources to justify the present, generating competing claims about the past while also raising problems and questions of preservation, ownership, copyright, and access. This class will ask how objects move from their original place to modern collections. How do they become art or part of cultural heritages? And how do they become historical sources? To address these complex issues, we will examine case studies of “moving objects” from two different geographies and historical contexts, China and the Middle East, in a comparative framework. We will discuss both historical and art historical questions stemming from specific objects and their stories in those two regions. We will talk about objects that were forced to move, relocated, or displaced, thereby their significance and value transform or take on new meanings. The dispersal and replication of moving objects in various collections is especially relevant today, with the creation of different types of digital replicas.

The Chinese novel Xiyouji (Journey to the West) was first printed in the middle Ming Dynasty, but tales of its hero Sun Wukong the Monkey King accompanying the Tang monk Xuanzang on a journey to acquire Buddhist scriptures from India are attested in a variety of forms from earlier centuries. Arising from folklore, it has spawned adaptations in many media. In this course we will read Anthony Yu’s abridged translation, seeking to contextualize it in the traditions of travel literature, animal fable, Buddhist transformation tales, and philosophical parable. All readings in English.

This course will explore contending strands of feminist thought and practice in modern Korea. Building on previous coursework on feminism and the postcolonial critique of Western feminism, we will consider how various Korean expressions of women’s equality developed in historically contiguous and critical relation to other global feminist ideals and movements (e.g., “The New Woman”, “revolutionary motherhood”, Women of Asia, #MeToo, radical militant feminism, transfeminism, etc…). We will engage a diverse range of historical, literary, and ethnographic sources that probe feminist, proto-feminist, and anti-feminist ideas throughout different periods from Japanese colonialism to the North-South division to the neoliberal South Korean present.

Are minor lives worth documenting? How do we have access to the lives of the multitude, the dispossessed, the outcasts and the enslaved—the lives that archival documents have little to tell us about? Is it ethical to recreate and recover the unheard lives of peoples historically perceived as illiterate, undesirable, “diseased” and unassimilable? What is the power of imagining and writing about existing otherwise? We will consider these questions throughout the course by turning to the under-explored history of Asian diasporas in Latin America and the Caribbean. We will contextualize examples of life writing (broadly-defined) spanning from late seventeenth-century to the twenty-first century, both by members of the Asian diasporas themselves and as they have been re-imagined by contemporary authors. Some examples of primary texts include the spiritual biography of a seventeenth-century Mughal princess-slave who became a mystic in colonial Mexico, queer imagination of a Chinese “coolie” in late nineteenth-century Jamaica, the memoirs of Japanese-Peruvians in the internment camp during WW2, semi-autobiographical poems and short stories by contemporary Asian-Latinx writers. With the help of supplementary critical readings on radical life writing, we will consider throughout the course how imaginative, anti-racist, feminist and queer narratives may expand our current knowledge of the lives of the marginalized and the racialized.

Forbes Magazine has styled the Tibetan Buddhist monk Mingyur Rinpoche, “the happiest man alive.” Like no other religion, Buddhism in the public imagination is associated with providing us with an accessible way towards leading a good and happy life. But what is the “good life” according to the Buddhist tradition, and what is “happiness” supposed to lead us towards? In this course, we will explore these questions through a close reading of Buddhist sources in translation. Through these readings the course will introduce the doctrinal and practical foundations of the Buddhist traditions and serve as a gateway to more specialized studies. Course Note: This course counts as a Gateway course for RLST majors/minors.

What is Zen? Impossibly, seemingly, everything to everybody. In this course, we will explore Zen’s protean transformations through a close reading of primary sources in translation. Rather than asking what Zen is, we will focus on how in these materials the Zen traditions are continually de/re-constructed as contingent religious identities from medieval Japan to the contemporary United States and Europe. The focus of the course will be the premodern Japanese Zen tradition, its background in Chinese Chan, and its reception in the West. The course will include field trips to Zen communities in the Chicago area. Students wishing to take this course are strongly encouraged to also take Prof. Ziporyn’s course on Chan during the fall quarter. 

This course is part of a two-sequence series, to be followed by a course on Japanese Zen Buddhism taught by Professor Stephan Licha in Winter 2025.  "Chan" is a partial Chinese transliteration of the Sanskrit word "Dhyana," meaning meditation practice; the same Chinese character is pronounced "Zen" in Japanese.  This course will consist of the close reading (in English translation) and discussion of both the Indian Buddhist scriptures and indigenous Chinese sources that form the core of the tradition spanning Chan and Zen, with a few secondary descriptions of Chan institutions and cultural influences.  Our focus will be on the development of ideas concerning the nature of sentience and the implications this has for understanding the existential predicament of sentient beings, touching on central themes of dependent co-arising, non-self, Emptiness, consciousness-only, Buddha-nature and original enlightenment, and the methods of realization (doctrinal, non-doctrinal, and indeed anti-doctrinal) proposed to redress this existential predicament at each stage of Chan history. This will be done both with an eye to the historical continuity of these sometimes seemingly contradictory forms thought and practice, and also to extract from them whatever transhistorical philosophical and spiritual valences we care to derive from the texts.