EALC

How does our understanding of the past change when our understanding of what history is changes? This seminar examines how people in premodern China, Japan, and Korea interpreted and recorded their past prior to the twentieth century. From official histories, canonical texts and authors to iconoclastic genres and hermit scholars, we will examine the different forms that history took in different times and places while exploring the connections and similarities of different traditions of history writing. Topics to be touched upon include objectivity, morality, the role of politics, genre, narrative, and time.

Many historians have termed the rising attention to materials and materiality as a "material turn." In this course, we will explore how materials and materiality can shape and influence our understanding of history.

Japan's imperial expansion in East Asia in the late nineteenth and twentieth century have drafted influenced social, political, technological, and environmental relations between different areas in this region. In recent years, we have seen a growing number of scholarship that discusses the influences and process of Japan's imperial expansion in Asia. Besides focusing on the political and social influence of Japan's imperial domination, these scholarships also show new ways to research empire and imperialism through the lens of technology, material culture, immigration, and transnational history. With a focus on recent scholarship on Japanese imperialism and Japan's empire-building, this course will familiarize students with the current debates and discussions on this topic and facilitate students to generate their own research topic. In this course, alongside analyzing and dissecting the current scholarship and their analyses and perspectives on Japan's empire, students will have the chance to build up skills to write a research paper from analyzing primary documents to drafting annotated bibliographies, outlines, proposals, and the final paper.

The third quarter of the East Asian civilization sequence covers the emerging nation-states of China, Korea, and Japan in the context of Western and Japanese imperialism and the rise of an interconnected global economy. Our themes include industrialization and urbanization, state strengthening and nation-building, the rise of social movements and mass politics, the impact of Japanese colonialism on the homeland and the colonies, East Asia in the context of US-Soviet rivalry, and the return of the region to the center of the global economy in the postwar years. Similar to the first and second quarters, we will look at East Asia as an integrated region, connected by trade and cultural exchange even when divided into opposing blocs during the Cold War. As much as possible, we will look beyond nation-states and their policies at underlying trends shared by the three East Asian nations, such as demographic change, changes in gender roles, and the rise of consumer culture.

The second quarter of the East Asian civilization sequence covering what are now China, Japan, and Korea from roughly 1600 to 1895. Major themes include demographic and economic change; the social and cultural effects of widespread but uneven commercialization; state formation, rebellion, and political change; migration, urbanization, and territorial expansion; changes in family and gender roles; changes in the "natural" environment, particularly as related to agricultural expansion; changes in religion, ideology, and relationships between "elite" and "popular" culture; and increasingly consequential encounters with Western Europeans, Russians, and Americans, especially in the nineteenth century. The course aims to treat East Asia as a single interacting region, rather than as three (or more) sharply separated proto-nations; however, it will also call attention to the enormous diversity both among and within China, Japan, and Korea, treating those differences as constantly evolving and as something to be explained rather than assumed.

This course examines the politics, society, and culture of East Asia from ancient times until c. 1600. Our focus will be on examining key historical moments and intellectual, social, and cultural trends with an emphasis on the region as a whole. Students will read and discuss culturally significant texts and be introduced to various approaches to analyzing them.

This course will introduce the major forms and works of Chinese drama from the 16th–18th centuries. Drama occupied a central place in the culture of the Ming and Qing dynasties, its tremendous popularity felt throughout the spaces of everyday life: from the lavish playbooks perused in the scholar’s study to the performances of household actors in wealthy residences and of itinerant troupes in the marketplace. We will read a variety of northern and southern dramas that tell of lovesick girls returning from the dead, anti-government protests in the streets, queer romances, and treks to foreign lands, paying attention to their narrative richness and complexity as well as their diverse histories of reading and performance. All readings in English and no background required.

This seminar will introduce students to the drama, fiction, poetry, and essays of the early Qing. Topics will include: reclusion and resistance, everyday theatricality, courtesans and gendered voice, trauma and memory, palace culture, ethnicity and the body, technologies of seeing and representation, and the economic imaginary.

How have insects affected ways of knowing and relating to the world?

This course opens a dialogue between insects and Japanese audiovisual cultures, including fiction, poetry, visual art, manga, anime, and film. We aim to address the important and profound challenge that recent trends in animal studies, environmental humanities, and eco-criticism pose to received ways of studying human cultures and societies. The challenge lies in offering alternatives to the entrenched reliance on a nature-culture divide, which gives culture explanatory preference over nature. In the case of Japan and insects, for instance, there exists a fairly significant body of scholarship on how Japanese people respond to, interact with, and represent insects, and yet priority is generally given to culture, and Japan is treated monolithically. To offer alternatives to this monolithic culturalism, in this course we will (a) open dialogue between culture accounts of insects and scientific accounts and (b) explore different forms of media offering different milieus where human animals and more-than-human insects come into relation without assuming the ascendency of one over the other.

From Star Trek's episode Mirror, Mirror, to the recent Everything Everywhere All At Once, multiple universes have their place of honor in the zeitgeist of our age. While it may seem like a recent development, the idea of complex space has been explored by numerous cultures of the past. Throughout the course of its long history, Buddhism has provided one of the most sophisticated explorations of space, from the infinitely small to the infinitely large. This course is an introduction to Buddhist Art from India to China, with a special focus on the making of "space." Taking the theorization of "space" as a guide in our survey of Buddhist art, we will learn about how visual culture participates in philosophical reflections on the construction of spaces. This course asks several questions specific to the study of Asian art while also broaching theoretical debates relevant across time and space, such as: how can visual culture offer a theory of "space"? What spatial mechanisms direct the viewer across space? How do objects change when removed from their original space-and what meanings do they acquire in their new contexts? The course will focus on objects from the Asian Collection at the Art Institute of Chicago. Students will be taught to work with them, investigate their history of excavation and relocation, as well as the ethical aspects of Western collections of Asian Art. Students will also gain basic skills in connecting material culture to religious and historical texts.