Graduate

The seminar analyzes the issues of generations, gender, and genres that arise from a selection of popular literary and television dramas from modern and contemporary Korea. The selection for the course is marked by the creative contributions of Korean women as novelists, scriptwriters, directors, among others. It includes prose fiction by renowned authors such as Park Wan-sŏ (1931-2011), Han Kang (1970- ), and Cho Nam-joo (1978- ), as well as television series like Mr. Sunshine (2018; scripted by Kim Eun-sook), The Red Sleeve (2021; dir. by Chŏng Chi-in; adapted the 2017 novel by from Kang Mi-kang), and My Liberation Notes (2022; written by Park Hae-yeong). Through a blend of close textual analysis and historical contextualization, the course aims to uncover the ways in which the gendered and generational identities of these creators might have helped certain configurations of concerns, needs, and aspirations saliently emerge in response to social, cultural, historical, and political currents of their time. [Consent Required; No prior knowledge of the Korean language is necessary]

This course is intended to be the second segment of a two-quarter long sequence introducing the study of early Chinese inscriptions. Students should have taken the first quarter, EALC 45400, which will have given them a foundation in the study of ancient Chinese inscriptions, and especially of inscribed bronze vessels. The second quarter will be devoted to specific case studies, most of them driven by the students' own research interests. Students will be expected to produce a comprehensive study of one inscribed vessel or set of vessels.

Over the last several decades, reality television has become a central ingredient in media diets all across the world. One can practically trace a line from early hits like Survivor and Big Brother, which were quickly formatted for global circulation, to the recent viral success of Squid Game, a fictionalized account of a death-game tournament that spawned its own reality show. Why do audiences everywhere find reality TV so entertaining? What moral lessons do viewers take away from these shows? And what might scholars learn by taking this popular aesthetic form, in all its cultural variation, seriously? This course brings together media studies, aesthetic criticism, area studies, and the sociology of religion to try to answer some of these questions. The course will help students to think about the moral and spiritual beliefs embedded in popular cultural forms, but also to understand how these forms are now circulated and consumed in our contemporary media environment and what they tell us about late-stage global capitalism. Course readings will introduce students to scholarship in television studies, aesthetic criticism, religious studies, and cultural studies, providing them with the necessary foundations to analyze reality TV from multiple disciplinary perspectives. We will also screen examples of reality TV and its offshoots, with a specific focus on East Asian shows and the competition or elimination format. Students will develop skills in visual analysis, interpretation of secular religion and belief structures, social theory, and basic research and writing methods.

This seminar explores the interplay of history, fantasy, and theatricality in one of the masterpieces of early Qing chuanqi drama, Changsheng dian 长生殿 (Palace of Lasting Life, 1688), Hong Sheng's 洪昇dramatization of the famous tragic romance between the Tang Emperor Xuanzong and his most favored concubine Lady Yang Yuhan.  The play alternates between a restaging of the An Lushan rebellion based on the playwright’s research into historical sources and the creation of a parallel fantastical universe in the forms of purgatory and paradise.  These seemingly contradictory trends—the increased concern with historical accuracy in drama and the fascination with spectacular, supernatural worlds—are fundamental to many seventeenth-century chuanqi plays.  To understand the play’s genealogy, we will read influential earlier treatments of the Xuanzong/ Lady Yang romance, but we will also examine the play in light of its relationship to contemporary events, particularly the fall of the Ming, and to contemporary debates on historical drama and the role of the playwright in the publication and production of theatrical works. The course will include consideration of the “afterlife” of the play by screening some dvds of important live performances.

Selected readings in pre-modern Chinese literature from the first millennium B.C.E. to the end of the imperial period. The course covers important works in topics ranging from philosophy, history and religion to poetry, fiction and drama. Specific content varies by instructor.

How has the discipline of Modern Chinese Literary Studies emerged and evolved in the US and in China, and what are the major debates that have agitated the field? This research seminar surveys various issues and approaches in modern Chinese literary studies, seeking to delineate its main turning points. Students are invited to identify their area of interest early on in the course, and to work on a major research paper throughout the quarter. 

Natsume Sōseki (1867-1916) is often celebrated as modern Japan's greatest novelist. This course will cover several of his major novels, as well his short stories and works of literary theory, looking at questions of selfhood, gender, property ownership, and empire. We will also look at critical studies of Sōseki from Japan and elsewhere. All readings will be available in English.

This graduate seminar uses the robust field of Chinese legal history as a starting point for an examination of how historians have used legal records and documents to craft historical narratives. Students of Chinese history will find that exploring the intersection of law and society in modern China through both primary and secondary texts, students will gain an overview of legal codes, the evolution of China’s legal system under successive regimes, as well as an introduction to the diverse materials that might be considered sources for “legal” history. While historiographic questions from the China field will arise, the class will also consider legal history strategies employed by historians beyond the China field. We will engage with debates about the role of civil law: How might more contemporary legal practices be a legacy of law or custom? How do societies' definitions of crime change over time. What role does the law play in shaping social attitudes toward different behavior?

This is the second part of the East Asian Science, Technology, and Medicine series. In this series, we will read major works on the history of STM in East Asia and constantly are in conversation with studies of this history in the globe.

This course is the first half of the East Asian Science, Technology, and Medicine series. The second part of the course will be offered in the spring quarter by Professor Jacob Eyferth. In this series, we will read major works on the history of STM in East Asia and constantly are in conversation with studies of this history in the globe.